ArtCity
“Everything is art’’, including the city. This was the inspiration for the promotional campaign of PAN Amsterdam 2022, the Netherland’s leading fair in art, antiques, and design. Displayed for PAN’s 35th edition, MVRDV’s proposal centres the ArtCity as the foundation of the campaign, dramatising the concept of a mini city and emphasising how a deep engagement with the arts can offer a fresh perspective for reimagining our urban landscape.
- Location
- Netherlands
- City
- Amsterdam
- Year
- 2022
- Client
- PAN Amsterdam
- Status
- Realised
- Programmes
- Exhibition
With art being such a fundamental and ubiquitous part of our society and culture, MVRDV’s contribution to PAN is not only based upon bringing art into the city, but rather to see the city as one giant piece of art. This campaign thus becomes an invitation to shift our focus on the way we look at cities and spark new discussions: How can we build inclusive, innovative and democratic spaces using art as a framing device? ArtCity illustrates how artistic and creative interventions can transform our built environments and reimagine cities as diverse, artistic human environments.
The groundwork for the 2022 campaign was laid by conceptualising the physical space of the PAN Amsterdam art fair into a digital one. After visiting the fair the year before, the designers drew inspiration from its layout, finding urban qualities in the various elements of the venue: corridors that act like streets, and each stall akin to a building. By translating the urban characteristics of the space into the poster, the campaign creates an immersive meta-space that captures the essence of PAN while inviting art enthusiasts to discover the fair as they would a city.
The goal was to dive deeper into the idea that art is everywhere, and what better way to do this than browsing PAN’s website? Their extensive repository, which includes a diverse array of different artworks, provided MVRDV with the necessary data to build the ArtCity.
PAN’s website was carefully scraped, downloading every image available, then the data was analysed, synthesised, and sorted. Each artwork was sorted with different identifiers, such as artist, colour, format, and movement – distinguishing if they were baroque, post-modern, abstract, and so on.
With the goal to create an urban landscape which not only reflected the extensive diversity of artwork of PAN, but also conveyed the idea that art permeates every corner of our environment, the designers started to remodel this enormous cloud of data into a 3D city. To do this, they transformed the art collection into 3D renders, conceptualising artworks as buildings that would give the impression of an urban landscape.
The designers imagined the organisation of a city not by function, but rather by artistic connections – where streets are themed around specific art movements or named after artists. The process of transforming this cloud of data into a three-dimensional cityscape allowed them to conceptualise an urban environment that reflects the diversity and richness of the art in PAN Amsterdam.
Another aspect emphasised by the campaign poster were the silhouettes and their scale. To prompt a sense of exploration and curiosity in viewers, the idea of the wandering the city became the foundation for the poster, with ‘’Wanderer Above the Sea of Fog’’ by German Romanticist artist Caspar David Friedrich taken as a point of reference. Just as the wanderer gazes into the misty expanse before him, the envisioned city invites viewers to explore the limitless possibilities of art and imagination.
Gallery
Credits
- Architect
- Founding partner in charge
- Design team
- Partners
- The Why Factory:
- Javier Arpa Fernández
- Adrien Ravon